SANUR, Bali (BPN) – Artotel Sanur – Bali holds the latest art exhibition involving three talented young artists from Yogyakarta and Bali. This art exhibition is available for two months from September 9, until November 9, 2022.
The titled is The Wounds That No One Can See involving Eka Sudarma Putra (Bali), Herman Priyono (Yogyakarta), and Surya Subratha (Bali).
Agus Ade Surya Wirawan, General Manager of Artotel Sanur – Bali said, it is an honor for ARTOTEL Sanur to be able to work with Yogyakarta and Bali artists through similarities involving lines, and also black and white zones.
“We hope that the exhibition of The Wounds That No One Can See can be enjoyed by all Indonesian contemporary artists in Bali and especially guests of ARTOTEL Sanur – Bali. This exhibition can be visited from September 9 to November 9 for 24 hours every day at Artspace, ARTOTEL Sanur,” he said.
The Wounds That No One Can See is an art exhibition that emerged from the close and personal conversation of the three artists involved.
With similarities involving lines, and black and white zones, the three artists connect their feelings and the thoughts of their minds through experiences that they have never said before in an exhibition or public space.
Symbols that are scattered in their works become a sign and are also beautiful. The Wounds That No One Can See became a bridge for artists to be able to connect and communicate with art connoisseurs, and vice versa.
Eka Sudarma Putra is known to have a strict thick line and play-through texture that can be found in his works.
He is one of the artists who are on the rise in a new art room in Bali. The work displayed this time took many daily scenes of Sanur Village. Starts from Mertasari Beach to one of the important temples not far from the ARTOTEL Sanur’s location.
From Yogyakarta, the figure of Herman Priyono was not seen in his romantic and tragic works. Inner wounds he displayed in works full of meaning and close to his admiration and respect for women.
This time, Herman specifically made a work with charcoal and paper media which he was currently involved in, he also explained that the Charcoal line was so honest and straightforward.
Herman spent six months completing the work displayed. In one of Herman’s works entitled Heart of the Sea, which painted a woman’s head in the form of an ocean, he wanted to symbolize how deep a woman’s heart exceeded the depth of the ocean.
Interestingly, Herman usually displays his work in the form of details and large sizes, and he also includes three new works in small sizes that are therapeutic.
Surya Subratha spent his art activities between Bali and Yogyakarta, Surya saw wounds in the form of a search. In this art exhibition, he performed four works related to each other, a communication media that was bound by fun symbols.
The works that are seen as very cheerful and happy details, even Surya is often referred to as a smiley artist, an artist who always smiles. This time he wanted to tell about the search for a Lingga-Yoni, an idea he found while looking for Lingga-Yoni around the temple in Yogyakarta to a Lingga and Yoni were lost in Pejeng, Bali.
The opening of the exhibition was performed by Ayu Anantha Putri, a dance artist and one of the founders of The Kerta Art Dance Studio in Ubud.
Ayu Anantha responded to the works of these three artists and processed the emotions of wounds in dances involving the guests and artists to move their dances. Showing that, injuries that cannot be seen, actually involve a lot of emotions from various energy that receives it.
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